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Superfad has produced a dazzling animated SEAT commercial for agency Atletico that combines a myriad of animation styles and techniques with live action, visual effects and architectural design. At the center of the eye-popping spot is international superstar Shakira who is about to embark on a European tour, which is sponsored by SEAT.

Furthering their long-standing creative relationship with FX Network, the channel again tapped The Arsenal, the multimedia production company representing a diverse roster of international talent, and directors Onesize to create the promotional campaign for it’s new show Justified, based on an Elmore Leonard character, set to premiere next month.

Asylum VFX, via Arnold, created two vibrantly animated Hershey’s spots, directed by Kommitted’s Nathan McGuinness, the latest in a string of projects that the companies have collaborated on for the chocolate-making giant.

Target is launching a unique partnership with fashion icon Liberty of London, which combines the retail giant’s budget-conscious ethos with Liberty’s legendary styles. The announcement called for a memorable advertising campaign, and who better to deliver than A Very Small Office(AVSO) Director Mikon van Gastel, who collaborated closely with Peterson Milla Hooks (PMH) to buck [...]

Christopher Columbus has directed ‘Percy Jackson and the Olympians; The Lightning Thief’ for Twentieth Century Fox. MPC Vancouver provided a range of visual effects and post production work for 160 shots across 9 sequences for the movie. Their main areas of work involved creating Greek Gods and simulating a firey inferno.

Anonymous Content Director PES, via Cole & Weber United, created an amusing stop motion spot promoting the various games in the Washington State Lottery.
It’s Coming, It’s Here crafts an interesting story without any human characters; set in a vibrant world, the colorful :30 tracks the movement of armadas of giant red and yellow lottery [...]

The Embassy Visual Effects is pleased to announce that its work on director Neill Blomkamp’s “District 9″ was nominated for an Academy Award® for Best Visual Effects. “District 9″ marks the second time in two years that The Embassy’s work has contributed to a visual effects Academy Award-nominated film.

From start to finish, software from Autodesk, Inc. (NASDAQ: ADSK), played a pivotal role in helping James Cameron and Lightstorm Entertainment pioneer new methods of virtual moviemaking, for Cameron’s history-making motion picture “Avatar.”

On the heels of their recently launched multimedia campaign introducing Google’s highly anticipated Nexus One smartphone, SF-based content creation specialists TEAK continue their longstanding relationship with Amazon Advertising by completing a :60 banner ad promoting Bear Naked® Granola cereal. TEAK handled production, editorial and post for the ad, which features rotating scenes set against a [...]

CS Films provided the color correction, online editing and finishing for writer/director Matt Osterman’s film, the supernatural thriller “Phasma Ex Machina.” The film, which marks Osterman’s debut as a feature film director, is also the first project for CS Films, the turnkey post house recently launched by CRASH+SUES, the award-wining commercial-based company to meet the [...]